This course is for beginners and intermediate home-engineers and producers who want to develop an extended skill set with Cubase. Specifically, this course includes training for: Media Bay Groove Agent SEChord Track Arranger Track Sampler Track This course will show you exactly how to use the features in a practical way in your Cubase productions. Learning to use these features will speed up your workflow, make your productions more professional and allow you to get a lot more creative in the studio. If you've upgraded Cubase (or you're a new user) and you've never learned to use these tools because they might appear confusing or unhelpful, then you are going to undoubtedly benefit from the lessons in this course! Get to know these tools and you'll never go back:)Organize Cubase with Media Bay Media Bay is one of the first tools that Cubase users overlook. But, here's a few of the reasons why everyone (no matter what styles of music you're making) should learn to set it up and use it correctly: First, Media Bay brings everything under one roof. You may be looking for a sample and happen across a loop that you didn't know you had (or forgot :). Since Media Bay can track enormous amounts of different kinds of content, it is one of the best available tools for your file management. and it comes built-in - for FREE! Next, Media Bay encourages producers to get organized. In this course I'll offer some tips for tagging and organizing your loops, samples and presets in bulk using the attribute inspector (a tool which doesn't even show up by default). How much time it takes to organize your content will be different for each student (depending on their library). Nonetheless, getting organized will help EVERY producer stay creative. The Media Bay not only keeps you organized, it can play back loops in the context of your project. before you even drag it in! This means you can listen to thousands of options IN CONTEXT before you decide to add it to your project. It will follow the tempo, key and even start and stop with the main transport. Demystify Groove Agent. FINALLY! I've encountered many producers who let Groove Agent SE sit in their VST collection for ages without really using it. For some, it is because they don't need a drum machine (however, it is also a pretty powerful sampler!). For others, it is because they don't get it - I'll be the first to admit the user interface obscures the incredible power and flexibility of Groove Agent. Here are a few of the things you'll probably start doing once you've taken this course: Have you ever wanted to compose an original drum track that sounds and feels like a human being actually played it? Of course you have - we ALL have. Groove Agent can do that easily. once you know how to use it. It's actually pretty easy and there are so many styles and kit choices to mix and match that (with the help of the attribute search) you'll find something for any project. Are you a sampling fiend and you frustrated that the Sampler Track won't permit layered sampling? Well, Groove Agent SE does! Furthermore, you can just migrate any Sampler Track (envelopes and all) to a pad in Groove Agent with the click of your mouse! Do you like the idea of a drum machine, but find it too fiddly to record the parts and get them into your project? Well, Groove Agents patterns can just be dragged into your project - right from Groove Agent. You don't have to route MIDI and hit record (although you can if you want:). Do you wish you could freshen up your beats with fills and different types of complexity without having to manually tweak MIDI clips for days on end? Me too! That is why I use Groove Agent SE's Auto-Fill and Auto-Complexity modes to ensure that my drum parts sound and feel like they were actually played live. I can have my drum part finished (from scratch) in just a few minutes - human, well-mixed, professionally sampled - I'll show you how to do this and more... Up Your Game & Write Better Chord Progressions... The Chord Track has been around for a while, but it is under-recognized as a tool for every producer to be using! Not only will the Chord Track refine your harmonic skills, but it will allow you to work more flexibly with your MIDI - even reharmonizing MIDI that you've already recorded! Here are some of the highlights from the Chord Track lessons in this course: For producers who need some help generating ideas for harmony and chord progressions, the Chord Assistant feature comes to the rescue. I'll show you how to identify complete chord progressions as well as finding chords that work well with the chord before/after any specific chord in your progression. You can use the Chord Assistant to explore different options based on musical proximity and make writing chords fun! Discover the Live Transform feature which enables you to play a pattern on your MIDI keyboard that the Chord Track will transform in real time to match the chords in your chord progression. This is the best of both worlds - play the chords you want, even if you aren't a piano player (or your using a non-keyboard MIDI controller). Did you know that you can extract chords from an existing MIDI part and create a Chord Track automatically? This only takes a few clicks to turn a MIDI recording into a Chord Track. We'll go over this step-by-step with a MIDI clip from Amazing Grace. You'll see how easy it is and then you'll start wondering why this isn't bigger news:)One of the most valuable tricks in the Chord Track section is all about conforming MIDI parts (that are already recorded - like MIDI loops in Media Bay). With a few clicks, you can transform the MIDI to follow your chord track while keeping the original MIDI part's timing and performance nuances. Imagine that you record a piano player as MIDI. Then, a week later you decide to change one of the chords they played. Yep, that's actually easier than you might think... Arrange, Re-Arrange, Repeat This course includes a full guide to the Arranger Track - a paradigm-shifting approach to composing. This tool allows us to craft song sections (verse, chorus, drop, breakdown, etc.) and then tell Cubase how to plug them all together into a final production. The implications of this tool are massive and include the following scenarios: Many producers have musical ideas that they want to use over and over. This workflow meant copying and pasting. until now. Some of the real-world uses for the non-linear compositional approach include: Transition FXAutomation Snippets Chord Progressions Multi-part MIDI Harmonies If you're a fan of Ableton Live's session view and scenes for live performance, then you should check out the Arranger Track which can operate live to play arrangement sections (exactly like Ableton Scenes). You can even bind them to keyboard commands and trigger your multitrack Cubase arrangement remotely on stage. Not sure what the perfect arrangement of you track would be? How many choruses should we have? What will this bridge sound like in different keys? With the Arranger Track, you simply build your section and Flatten out as many projects as your heart desires. This is a powerful ally in the search for the perfect arrangement! Sampling Made Simple and Playable Cubase includes a dedicated track type that runs a simple, but powerful sampler - including loop modes, crossfades, pitch/filter/amp envelopes and much more. Sometimes you don't have the instrument you want. now you can make it on your own. Some highlights from the Sampler Track section include: If you're a fan of Ableton's Simpler, then you'll recognize how all the features of the Sampler Track work. It is easy enough for newbies to use, but powerful enough to make great sampled instruments. We'll talk about instrument design, use cases for envelopes and filtering. Want to learn sampling? That is a great idea - Cubase contains a very broad collection of Sampler Track presets that you can pick apart, analyze and learn from. It's like going to school for sampling (if you're into that sort of thing:). While the sampling tools are powerful, the ability to treat a Sampler Track as an Instrument Track - like having a mixer fader, channel strip, inserts and sends - makes the Sampler Track intuitive. If sampling isn't your thing, then simply load up one of the awesome presets and just use it like you would a Halion Sonic patch:). There's very little investment, but also an awesome return. Have fun! More Than a Walkthrough While many courses focus on feature walkthroughs of software, this course concludes with not 1, but 3 case studies. Each case study builds a full track (rhythm, harmony, FX and mixing) in one of 3 specific (and totally unrelated) genres: Jazz, EDM and Rock. I've used Cubase for more than 15 years in both professional and personal projects I share my process and tips in these unique case studies to help you apply what you've learned in the first several sections of the course. From searching Media Bay to Maximizing your finished track, each case study comes with 2 projects: An arranger project - containing all the tracks and the arranger sections that we build throughout the case study. A final stems project - containing the version of the arranger track that we flattened. Of course, you're always free to open the arranger project for each case study, make tweaks and flatten out your own original take. Helpful Quizzes & Assignments Many sections contain both a quiz and an assignment designed to help every student consolidate what they learn and provide a way to apply that knowledge in Cubase using the tools that we discuss throughout the course. There is a lot of overlap - so as the course moves along, so does the complexity of our creative work. For example, we'll use the Sampler Track in our Jazz case study, while we incorporate arpeggiators to enhance our EDM track. The use of Beat Designer in conjunction with Groove Agent is another great example of how we explore features in Cubase that are practical and actionable. The quiz will test your knowledge, while the assignments will get you applying what you've learned in a real-world context. If you suspect that Cubase offers more than you know. you're probably right:). Cubase is a very deep DAW with powerful features that pros (like Hans Zimmer, Zedd, Paul Mc Cartney, Kraftwerk, Glitch Mob, Meshuggah, New Order and Tiesto) use every day to produce. This course will expand your knowledge of these features and inspire you to get creative. I look forward to seeing you in the course!